Share

Share may refer to:

'Computing

Share (film)

Share is a 2015 American short drama film written and directed by Pippa Bianco, and starring Taissa Farmiga, Keir Gilchrist, Andre Royo, and Madisen Beaty. It follows a 15-year-old girl as she returns to school after an explicit video of her goes viral online. The film had its world premiere at the South by Southwest Film Festival on March 14, 2015, where it won the Special Jury Recognition Award for Narrative Short. It was then selected as the only American short film in the 2015 Cannes Film Festival, screening on May 20, 2015. The film won the first prize Cinéfondation Award at the festival. It went on to screen at the Telluride Film Festival on September 6, 2015.

Plot

On her first day back at school, 15-year-old Krystal (Taissa Farmiga) attempts to restore her privacy after a sexually explicit video of her goes viral on the Internet, from a night she doesn't remember.

Cast

Production

Nielsen ratings

Nielsen ratings are the audience measurement systems developed by Robert F. Elder and Louis F Woodruff and sold to Nielsen Company, in an effort to determine the audience size and composition of television programming in the United States. Nielsen Media Research was founded by Arthur C. Nielsen, a market analyst whose career had begun in the 1920s with brand advertising analysis and had expanded into radio market analysis during the 1930s, culminating in Nielsen ratings of radio programming, which was meant to provide statistics as to the markets of radio shows. The first Nielsen ratings for radio programs were released the first week of December 1947. They measured the top 20 programs in four areas: total audience, average audience, cumulative audience and homes per dollar spent for time and talent.

In 1950, Nielsen moved to television, developing a ratings system using the methods he and his company had developed for radio. That method has since become the primary source of audience measurement information in the television industry around the world.

Work of art

A work of art, artwork, art piece, piece of art or art object is an aesthetic physical item or artistic creation. Apart from "work of art", which may be used of any work regarded as art in its widest sense, including works from literature and music, these terms apply principally to tangible, portable forms of visual art:

Used more broadly, the term is less commonly applied to:

Works (Pink Floyd album)

Works is a Pink Floyd compilation album released in 1983. It features a variety of material, such as (among others) the band's early singles, "Arnold Layne" and "See Emily Play", alternative mixes of tracks from The Dark Side of the Moon, and the previously unreleased track, "Embryo".

Release and contents

The album was released by their former American label, Capitol Records, to compete with their then-current album The Final Cut. The main interest for collectors is the track "Embryo", an outtake from Ummagumma that later became a concert staple in a greatly elongated form, which originally only appeared in January 1970 on a scarce various artists compilation album promoting Pink Floyd's UK label Harvest Records entitled Picnic – A Breath of Fresh Air. Also unique to Works, the tracks "Brain Damage" and "Eclipse" are presented as alternate versions, possibly stereo mixes from the master tapes of the quadraphonic edition of The Dark Side of the Moon.

Alternate recordings

Factory-backed

In motorsports, a factory-backed racing team or driver is one sponsored by a vehicle manufacturer in official competitions. As motorsport competition is an expensive endeavor, some degree of factory support is desired and often necessary for success. The lowest form of factory backing comes in the form of contingency awards, based upon performance, which help to defray the cost of competing. Full factory backing can be often seen in the highest forms of international competition, with major motorsport operations often receiving hundreds of millions of euros to represent a particular manufacturer.

One-make series can also be backed by the factory, notably Ferrari Challenge and Porsche Supercup purely to allow themselves sell their competition specials of their models to customers and to organize series. These series commonly offer prize money and even sometimes a factory drive to an upper lever series.

In lower level racing, support from dealerships and importers may also be referred to as factory backing. In drifting, where factory backed teams are few and far between (Mopar and Pontiac of Formula D for example), works team/drivers are those backed by large or highly established tuning companies, as opposed to those entered by the drivers themselves or smaller and less well-off tuning companies. The advantage to this is drivers can get access to expensive prototype parts provided by the company that are not yet available to customers and in the event of their car being too badly damaged to compete, a back-up car will be available to them.